Kanye West delivered a spiritual successor to “Big Brother.”
Kanye West‘s artistic trajectory has been subject to fierce debate since the arrival Yeezus, his most divisive album by far. It’s no wonder, as Ye’s emphasis on exploring uncharted sonic territory came at a steep cost: his bars. Of course, flourishes peak Ye have emerged on various tracks, with “No More Parties In LA” standing as one his best verses to date. Yet the days “Gorgeous” and “Devil In A New Dress” are long gone, and fans have come to expect little where Yeezy’s pen game is concerned. Still, that doesn’t change the fact that hype for Yandhi continues to brew, and last night, Kanye delivered a possible peek at his current musical direction.
Enter “Brothers,” a soulful track premiered Irv Gotti’s BET series Tales. Produced by Irv Gotti and Seven, “Brothers” evokes shades a bygone Ye, employing an uplifting vocal sample and College Dropout-era production. Though we’ve briefly seen Kanye flirt with his formative style before, “Brothers” feels like a full commitment to revisiting a fan-favorite era, shedding the dissonance “XTC” and the playfully avant-garde “Lift Yourself.”
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Lyrically, Ye calls back to the Graduation days, once again touching on themes brotherhood. While he doesn’t overtly express it by name, all signs point to “Brothers” being an apology sorts to Jay-Z; recall that Kanye once referred to Jay as his “big brother” on Graduation’s closing track. Even the lyrics lend themselves to their publicized falling out. “I miss the fam and our brotherhood, I just wanna make sure that my brother’s good,” he raps. “So I ain’t embarrassed or above, flying out to Paris for a hug.” It’s hard not to think their collaborative hit “N***as In Paris” upon hearing that line, which certainly reinforces the Jay theory.
Moving forward with that narrative, perhaps we can see “Brothers” as a call to action, a play for the long-awaited Watch The Throne 2. Picking up the phone hope it’s all love, cause Jesus taught us love so did Moses and Mohammed,” raps Ye, in the closing stanzas. “So nothing so atomic that we can’t agree to drop it, drop it, peace it up and get it poppin’, and bury the hatchet so we can lock in.” What is that if not an invitation to record? And more importantly, did “Brothers” serve in recapturing a glimmer a lyrically reinspired Kanye West? Stream the new single right here.
