This is the sophomore full-length studio LP from Los Angeles duo Coyote. Consisting of the Morales brothers LadiesLoveGuapo & Ricky Blanco, they went on to gain traction in late 2022 off their debut album Thicker than Water noted for its witty punchlines & East coast influences. However, their official follow up a year & a half later L.Aliens is quickly becoming their breakout project to the point where people were recommending that I give it a shot & I was more than willing to since the tracklist looked promising.
“Pop the Trunk” kicks the door down as hard as possible with it’s boom bap production & hardcore lyricism reminiscent to the 90s whereas “3 Lokos” featuring fucking Shaquille O’Neal works in more kicks & snares feeling reminiscent to Havoc’s production throughout Mobb Deep’s timeless sophomore effort The Infamous… talking about all 3 of them being psychos. The instrumental on “Pocho” featuring MC Magic feels like something Tyler, The Creator would’ve made during the Odd Future days & I mean that as a compliment as someone who’s been down with him since that era showing off their Mexican heritage & “Tryna Get High Foo?” featuring B-Real is a boom bap-heavy smoker’s theme.
Moving forward with “LA LA Land”, we have LadiesLoveGuapo & Ricky Blanco venturing out in trap territory telling us what it was like for them going up in the City of Angels prior to “D.U.I” featuring SUCKERFREE104 hooking up bells as well as kicks & snares to talk about having too much to drink & pullin’ up on your bitch with the roof off under the influence. “Buck 50” swaps the bells out in favor of sampling asking if you really walk it like you talk it with your chest out while “Do You” puts a psychedelic spin on trap dropping flexing on everyone else in the underground.
Shady Records signee Westside Boogie coming fresh off opening for Kendrick Lamar during his Pop Out concert at the Kia Forum last night uniting the west coast since the deaths of Kobe Bryant & Nipsey Hu$$le joins Coyote for the syrupy “House Party” further exemplified by the chopped & screwed hook repping Los Angeles & Compton respectively leading into the soulful “Pushin’” featuring Doeman keeping it playa & positive. The trap-flavored “Wadadabang” featuring The Game & Lefty Gunplay gets on their gangsta shit with Game having the better feature of the 2, but then “Devil’s Contract” fuses g-funk & boom bap going horrorcore.
“Letter to God” sees the Morales brothers hopping over an apocalyptic drill beat sending a message to the Higher Power just before “Drugs Bunny” returns to the boom bap drawing inspiration from Daringer instrumentally hilariously dissing Bad Boy Entertainment founder Puff Daddy a.k.a. P. Diddy or Diddy for assaulting Cassie for being a grown man acting like a bitch. “Note to Self” embraces the trap sound once more assuring that the repercussions will be worth it while “Cheers” takes the cloudier route explaining that you either in it or you ain’t.
Meanwhile, the bouncy “Splash” talks about how they’ll treat you like the rest determining your value by who you think you are elevating instead of staying down while “Blanco the Blizzard” marks a return of the Griselda boom bap vibes discussing fame & attention being the cons of popping off dressed in a whole Gucci fit. “Hunger Flow” featuring Justin Credible keeps the kicks & snares tightened getting murderous while “Quema Quema” goes full-blown Latin trap. “Rings” enlists Shaq on the mic 1 last time nearing the conclusion of L.Aliens providing a jazzy trap fusion treating hip hop like a sport when it really ain’t no game & “Busca La Muerte” serves as a 2-minute Latin closer.
In comparison to Thicker than Water, the Morales brothers’ sophomore effort here takes them to a whole new level as one of the hottest up-&-coming groups in the west coast hip hop scene. The production goes from boom bap to trap, jazz rap, cloud rap, Latin music, southern hip hop, soul music & even psychedelia turning the punchlines up to 11 & invite a pretty tight list of guests along with them for the ride. It’s also cool that they show their influences & put their own spin on the styles they culminate in a melting pot.
Score: 8/10