Kansas City’s very own Tech N9ne returning for his 25th full-length studio album although the 9th in his Collabos series & the first since Strange Reign roughly 7 years ago. Starting out 3 decades back as a member of the groups Black Mafia as well as the 57th Street Rogue Dog Villians & the Nnutthowze, his profile began to increase in the late 90’s after landing a spot on the Gang Related soundtrack & becoming among the first to join Yukmouth’s then-newly formed collective The Regime. But after having issues with Interscope Records & Universal Music Group following the release of his iconic 3rd album Anghellic, that’s when Tech decided to form his own label with the help of a man at Paradise Originals named Travis O’Guin. Together, they would call it Strange Music & solidified itself as one of if not the biggest indie label in the world. Tech has made it a tradition to drop a project or 2 every year since Everready (The Religion) back in ‘06 except for 2022, returning last summer Bliss to mixed reception. C.O.S.M. (Class of Strange Music) on the other hand had me hoping it would be the best Collabos entry since my personal favorite Welcome to Strangeland.
After the “Greetings” introductory skit, the first song “No Popcorn” hops over a fun old school instrumental so he can get everyone rockin’ on whereas “Bigger” featuring King Iso & Zkeircrow works in strings & hi-hats to talk about their desire for growth ever since they were children. “ZOD (I Win I Always Win)” featuring Joey Cool, Kevin Gates & Snow Tha Product kinda has a trap metal vibe to the beat with plinky keys thanks to Mario Casalini forever catching Ws while the ghostly “Disgusted” featuring Hopsin & Killer Mike brings the trio together to catch bodies with Tech & Killer Mike both going harder than Hop.
“Roll Call” featuring JL, Joey Cool, King Iso, Lex Bratcher, Rittz & X-Raided was a wicked fresh Strange posse cut produced by Wyshmaster allowing the alumni to come out to play like The Warriors just before “Let It Bang” featuring Y8$ having a futuristic trap flare instrumentally to hop in the whip & the bass go. “Sour Dough” featuring Keak da Sneak & LaRussell comes through with a hyphy banger despite an awkwardly unintelligible hook from Stunnaman02 leading into “I’m Just Tryna Get” featuring KC Young Boss, Miss Kush, Roblo Dastar & Shay Lyriq being another posse cut this time revolving around Kansas City over a guitar & fingersnaps.
X-Raided returns accompanied by The Popper for “Walter Sobchak (Am I Wrong?)” hooking up a gospel sample asking if they wrong for letting the gat off of anyone who breaks into their homes, but then “P.O.W. (Prisoners of War)” featuring Marley Young is a decently cloudy trap cut with Freek van Workum formerly N4 behind the boards talking about being saluted when they come around their parts. After the “Bathroom” skit, “Drippy Drop” featuring Skatterman & Snug Brim feels like an aquatic club banger reuniting the first duo to sign with the Snake & Bat while “The Ghost of Rosetta Tharpe” featuring Ako Mack & Lajon Witherspoon goes trap metal again delivering politically conscious subject matter.
“Sin Miedo” by the Nnutthowze featuring G-Mo Skee was one of the most anticipated tracks here that lived up to my expectations since the 6688846993 & the filthiest Majik Ninja Entertainment artist talk about making mean fellas over grisly boom bap production while “I Got Time Today” featuring ¡MAYDAY! serves as a colorful ballad simply about having the time today that NonMS cooked up. “Take That L9ve Back” featuring Marcus Yates formerly known as Oobergeek explaining what they should’ve said on top of his-hats & vibraphones while “Boomer Rang” featuring K.A.A.N., Stevie Stone & Ubiquitous formerly of the CES Cru atmospherically warns that they don’t fuck around.
After the “L.9.V.E. 4EVA” skit, “I Know the Real” featuring C-Mob somberly disses those who ain’t walkin’ it like they talkin’ it out here while “Sniper’s Remorse” featuring King Iso & Trae tha Truth has a heartbreaking tone aesthetically talking about not being unable to fight anymore & being caught up the guilt of a sniper. “Underdog” featuring Head da Don & X-Raided nears the conclusion of the first Collabos offering in 7 years with a trap metal cut tackling the theme of being misunderstood & “Ain’t Gon’ Be Another” featuring Jehry Robinson ends on an acoustic trap note discussing uniqueness.
Wasn’t sure if Tech was ever gonna give us another Collabos album again considering the gap between this & Strange Reign, I have to admit that I found myself enjoying C.o.S.M. (Class of Strange Music) more than the last couple albums of his own Asin9ne & Bliss. This new one has much more consistent production than the other 2 & as a Strange Music fan since my adolescence, it’s amazing that he got a bunch of artists from the label’s history past & present alongside some notable artists outside of Strangeland.
Score: 7/10